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Essay

The Problems of Steven Moffat

Steven Moffat has been the showrunner and head writer of Doctor Who since 2010, when Russell T Davies left the show. The first Doctor that he wrote for was Matt Smith, and he continued in the 8th season with Peter Capaldi. As a writer under Davies, Moffat wrote award-winning stories: “The Empty Child”/”The Doctor Dances,” “The Girl in the Fireplace,” “Time Crash,” and “Silence In The Library“/”Forest of the Dead.” Since running both Doctor Who and Sherlock, critics say his work suffers from being spread too thin.

Most of Moffat’s episode endings don’t make sense. For instance, in the very beginning of “Listen,” The Doctor is writing with a piece chalk. When he puts it down, the chalk disappears and the word “listen” is written on a chalkboard. This is supposedly written by the “perfect hider,” a monster The Doctor is speculating about that causes mysterious events seen later throughout the episode. Later on, The Doctor states that everyone throughout history has the same dream, at some point in their lives, that is caused by the “perfect hider” somehow. In the end the truth is revealed: there was never a monster. The dream was caused by Clara Oswald, who grabbed The Doctor’s leg as a child in the night and gave him that dream. And…I guess gave everyone else the dream too. How can this even happen? Unless Clara grabbed every single person’s leg in the universe, it’s impossible. This entire ending is just one big plot hole.

Another problem I see in Moffat’s writing is that some of the episode subplots are entirely messed up. As an example, I will be using the episode “The Caretaker” (co-written with Gareth Roberts). The Doctor was trying to capture the Skovox Blitzer by placing devices around the school to send it billions of years in the future. If The Doctor really wanted no one to notice the devices he placed to trap the monster, he probably shouldn’t have put flashing green lights on them. And if he really needed those lights, he could have at least told the school staff not to mess with them. And Danny Pink, who removed the devices from where they were placed, shouldn’t mess with things in the first place, especially if he doesn’t know what they do. And when they finally do encounter the monster, towards the end of the fight when The Doctor is preparing the analog for the Skovox Blitzer, Danny runs at the robot and jumps over it to distract it so it doesn’t shoot The Doctor. The robot (instead of turning around) could have just shot The Doctor first then dealt with the rest of them. And there was DEFINITELY a trampoline under Danny in that scene.

And on top of that are the speeches. Moffat apparently loves writing completely useless, overly sappy speeches. Poor Peter Capaldi! In the episode “Into the Dalek,” after The Doctor repairs the Dalek, he acknowledges the fact that all he did was fix it. Clara then uses this time to yell at him to try harder. However, the way she did this is in an incredibly long and drawn out cliched speech. The result would have been exactly the same had she just told him not to give up. The only reason for that speech is to waste our time and torment the actors. I think they should just remake the classic Doctor Who episodes with today’s special effects. Then, Steven Moffat can stop ruining the show.

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Essay

On the Road to New Who’s Tenth Anniversary: A Dynamic Duo

In March of 2005, Christopher Eccleston and Billie Piper made their debut in “Rose,” the first episode of the Doctor Who reboot. Eccleston had a well-established television and movie career at the time of his casting. Piper was a pop music sensation with a record deal at the age of 15. She left music in 2003 to return to acting, her first love. In 2004 Piper won the role of Rose Tyler, companion to the 9th Doctor. Link to TARDIS Data Core for both Eccleston and Piper

Russell T. Davies, head writer and showrunner for New Who, has maintained that he had Eccleston in mind for the Doctor from the outset, though he was not certain Eccleston would want the part. Other actors considered for the role included Hugh Grant, Rowan Atkinson, Bill Nighy, and Allen Davies. Once Eccleston accepted, he took the script and built the Doctor’s character around aspects of Davies’ personality. “Fantastic,” was Davies’ favorite word. As further role preparation, Eccleston watched Tom Baker in “The Talons of Weng-Chiang” (1977). Yet Eccleston’s Doctor had an edge that likely did not evolve from Davies or Baker. That edge is strictly Christopher Eccleston’s. Steven Moffat, who wrote two episodes for the 2005 Series 1, called Eccleston “an amazing Doctor.”

“What an amazing Doctor. This gritty, determined northerner. And he was written like a man in a pub. A clever man in a pub, but still a man in a pub.” Steven Moffat on Christopher Eccleston, South Wales Evening Post

Moffat also weighed in on Billie Piper as Rose:

“It was Billie Piper who brought it back. I think those first two years, that was Billie Piper’s show. It was all about Billie, and Billie as Rose. Russell [T. Davies] was so clever in creating that character and casting that character so perfectly.”

pubguy

But was there chemistry between the two? Yes. Contest that if you will, but it is difficult to deny. What begins with a giddy school-girl seeking adventure continues with an unconditional connection. During “The Parting of the Ways,” Rose looks into the Time Vortex and takes on the energy to save the Doctor. The episode ends in the Doctor kissing Rose to draw the energy, which forces his regeneration.

The BBC announced the casting of Billie Piper as Rose Tyler in May of 2004.

Julie Gardner, head of drama for BBC Wales in 2003, felt that Billie was perfect for the role Gardner called her a “unique, dynamic partner for Christopher Eccleston.” Given her age and past history as a music pop star, many had a difficult time believing Piper was the final choice. Some fans felt that it may have been a publicity stunt.

Billie showed them just how real she was in “Rose” (official air date March 26, 2005), which drew in 10.81 million viewers within one week. Spurred by the success of the episode, the BBC made the decision to go ahead with Series 2. This was made public on March 30, 2005. In a stunning leaked release on the same day, the BBC announced that Christopher Eccleston would not be returning for the second series. While the BBC originally stated that Eccleston’s reasons for leaving were based on his hesitation in being typecast, this was not an official statement from Eccleston. The faux pas likely was confirmation for Eccleston that his decision to leave was a good one. Eccleston did not see eye-to-eye with senior members of Doctor Who; however, he has stated that he was proud to have been able to play the role of Doctor.

What exactly was the relationship between the 9th Doctor and Rose Tyler? Eccleston put it this way:

“He loves her, simple as that. And she loves him. They both deny it, but her mother can see it. They’re very similar, Rose and the Doctor: both carry a sense of loneliness. He allows her freedom—he’s always encouraging her to experience things—but he expects a great deal of her, too. He’s constantly telling her, ‘If you want to travel with me, then don’t become a burden.'” Christopher Eccleston, Radio Times

Christopher Eccleston and Billie Piper created a Doctor/companion team that helped to solidify Who‘s journey toward world-wide cult status. Love them or not, their legacy is undeniable.

Who fact: The world lost a great fantasy author this month: Sir Terence David John “Terry” Pratchett. Pratchett fell heavy on the critique of Doctor Who, saying it is “ludicrous and breaks most of the laws of narrative.” Though he felt that Who embraced “makeitupasyougoalongeum,” Pratchett continued to watch. Who can help themselves?

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Fan Fiction

Fifth American Doctor: Mark Harmon

1982–84. Honorable mentions: Michael Gross, David Michael Hasselhoff, Pierce Brosnan, Michael Keaton

Supporting Cast
Adric: Lee Curreri
Nyssa: Heather Locklear
Tegan Jovanka: Diana Canova
The Master: Edward Mulhare

Mark Harmon was chosen as a physical contrast to Barry Newman, as well as for his critically acclaimed role in the prime time soap opera Flamingo Road. At 29 years old, Harmon was the youngest actor to have played the Doctor. However, he only agreed to play the role for 3 years to keep from getting typecast. Harmon reportedly got this idea from second Doctor Leslie Nielsen. Harmon’s Doctor was a youthful pacifist, portraying 19th century upper-class values of chivalry, science, and golf. British actor Peter Davison based his Stephen Daker in A Very Peculiar Practice on Harmon’s sensitive, deliberate, and occasionally indecisive performance.

Prior to Doctor Who, Lee Curreri was best known for his role as the intense keyboard prodigy Bruno Martelli in the film Fame and its spinoff Fame television series. When Fame was cancelled, he immediately auditioned for and won the role of Adric. As a young boy, Curreri’s letter praising Doctor Who was published in Starlog magazine. Having started playing Adric the previous year, Curreri left the show — and acting altogether — to become a full-time musician. His breakthrough in this capacity was the soundtrack to The Killing Edge, the 1986 sci-fi thriller starring Matthew Waterhouse.

Heather Locklear made her earliest screen appearances in minor roles on CHiPs, 240-Robert, Eight Is Enough, and The Return of the Beverly Hillbillies. She’d already been working on Dynasty in 1981, but had a falling out with producer Aaron Spelling. Through her agent, Locklear auditioned for and won the role of Nyssa. Her good friend Sarah Sutton said Locklear “…pulled off [Nyssa’s] complicated and conflicting character with surprising ease and grace.”

Diana Canova made her television acting debut in Happy Days, then guest-starred in Chico and the Man, Starsky and Hutch, and Barney Miller. It was Canova’s recurring role on Soap that made Doctor Who producers want her to portray Tegan Jovanka. Once describing her character as “just a mouth on legs,” Canova’s Tegan was a perfect counter balance to Heather Locklear’s Nyssa. Her loud, smart, and stubborn performance inspired Janet Fielding‘s portrayal of Deborah Simons in Hold the Back Page.

Edward Mulhare‘s busy career, starting from the late 1940s, was on the wane by the 1980s. Doctor Who producers remembered his role of the poltergeist Captain Daniel Gregg in The Ghost & Mrs. Muir, as well as his later roles on Hart to Hart and Battlestar Galactica. He got the role of the Master when Ricardo Montalbán quit the show to do Fantasy Island. His performance as Arthur Sydney in the Hart to Hart episode “The Man with the Jade Eyes” won him the role of the Master.

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Fan Fiction

Fourth American Doctor: Barry Newman

1974–81. Honorable mentions: Paul Sand, Ronny Cox, Henry Darrow, Steve Landesberg

Supporting Cast
Sarah Jane Smith: Cindy Williams
Harry Sullivan: Ken Howard
Hilda Winters: Diana Muldaur

Barry Newman‘s breakout performance as the brash, gonzo attorney Tony Petrocelli in The Lawyer (with Doctor Who costar Diana Muldaur) won him the role of the fourth Doctor. Newman was set to reprise his role for the 1974 television series Petrocelli, but was replaced at the last minute by Tom Baker, a construction worker and personal friend of show consultant F. Lee Bailey. Disappointed, Sidney J. Furie (who directed The Lawyer) strongly encouraged Newman to audition for Doctor Who. Newman won the role with his unique combination of madness, humor and conviction.

Cindy Williams seemed born to play Sarah Jane Smith, but it almost didn’t happen. In 1973, producers originally cast Gretchen Corbett when Elaine Giftos left the role of Jo Grant. Allegedly the pairing of Garner’s Doctor and Corbett’s Sarah Jane didn’t work. (Williams’ close friend Elisabeth Sladen said that Garner “likes to impose himself physically on smaller women“.) Based on an enthusiastic recommendation from American Graffiti producer Francis Ford Coppola, the role was quickly re-cast to Williams.

Ken Howard won the regular role of Captain Mike Yates in 1971, but couldn’t accept due to a prior commitment. (That role eventually went to British actor Ian Marter.) Producers remembered Howard, giving him a supporting role in 1973’s “Carnival of Monsters“. The following year, Howard won the role of Harry Sullivan, a character developed when it looked like the fourth Doctor would be played by an older actor who couldn’t handle action scenes. When the 36-year-old Barry Newman was cast, Harry was written out of the show after only one season.

Diana Muldaur was a busy character actor, juggling various movie and television roles. Doctor Who co-creator Gene Roddenberry personally encouraged her to audition. Muldaur worked well with Barry Newman a few years earlier in The Lawyer, but was heavily in demand and could only commit to a single episode. The role of Hilda Winters, leader of the Scientific Reform Society, was tailored for Muldaur’s desire to play a “modern, sympathetic but thoroughly evil villain”. Muldaur based part of her performance on Patricia Maynard‘s portrayal of Cora Munro in The Last of the Mohicans.

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Essay

Torchwood Season One: I am Jack’s Unreliable Staff

Torchwood chooses style over logic, each and every time

Torchwood is aimed more for mature audiences than its spin-off parent Doctor Who. There’s swearing, graphic sex and violence, and greater emphasis on human corruptibility. Some episodes barely have space aliens (“Random Shoes“, “Combat“), while “Countrycide” has none.

Those mature themes, however, are expressed through American style conventions (specifically the 18-34 demographic of the WB/CW networks.) The sets are huge and stylish, lead actors are a bit too young for their positions, and interoffice romantic triangles are more complex than Tex Winter’s offense (The team’s most unlikable member slept with every female coworker.) It’s like watching an episode of Smallville or Buffy the Vampire Slayer with curse words.

Torchwood wants adult vocabulary, but none of the responsibility. Consider these Season One highlights:

  • Ianto sneaks his mid-conversion Cyberman girlfriend into HQ in “Cyberwoman” (hiding the body of one of her victims)
  • Tosh sneaks an alien into HQ in “Greeks Bearing Gifts
  • Gwen sneaks a “dead and loving it” Suzie Costello out in “They Keep Killing Suzie” She also treats Rhys, her live-in boyfriend, horribly (lies about what she’s doing for Torchwood, has an affair, then confesses to Rhys after drugging him with amnesia pills.)
  • Owen disobeys direct orders by opening the Time Rift in “Captain Jack Harkness
  • They all stage mutiny in “End of Days
  • Captain Jack abandons his own team without a word in “End of Days

These actions would be criminal in our world. On Torchwood, everything’s forgiven by the next episode. Captain Jack built a group less reliable than The A-Team.

These American genre conventions bring in a young audience, but they also undermine Torchwood‘s fantastic premise: How would we handle alien invasions without the Doctor? Classic and current Who provide some examples. The Brigadier killed hibernating Silurians in “Doctor Who and the Silurians“. PM Harriet Jones ordered ordered a hit on retreating Sycorax in “The Christmas Invasion.” Simply put, Torchwood could have been the hardest sci-fi program in history. Less Charmed, more Blade Runner.

There are some terrific things about Torchwood. “Out of Time” and “Captain Jack Harkness” were written and directed by women. The show portrays homosexuality and bisexuality in a mundane, understated manner. It’s fun watching Captain Jack develop between Doctor Who episodes “The Parting of the Ways” and “Utopia.”

So I’ll keep watching, knowing Torchwood will choose style over logic each and every time. Here’s to Captain Jack and his Howling, Unstable Commandoes!

Random Thoughts

  • Why is Jack so evasive about his past, especially about his relationship with the Doctor? It wouldn’t undermine his authority one iota.
  • More importantly, why is the rest of Team Torchwood so upset about his secrecy? In real life, employees are too busy with their jobs and lives to even think about their boss’s private life.
  • Given her actions in Season 1, how the Hell is Gwen “the conscience” of Torchwood?
  • Given his demeandor, how is Owen so desirable to every woman on Torchood?

The answer to all these questions is “Attracting a young audience with Americanized sci-fi genre rules for teenagers.”

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Fan Fiction

Third American Doctor: James Garner

1970-1974. Honorable mention: Hal Holbrook

Supporting Cast
Dr. Elizabeth Shaw: Susan Sullivan
Brigadier General Alistair Gordon Lethbridge-Stewart: J. D. Cannon
The Master: Ricardo Montalbán

James Garner was an established star before Doctor Who. Garner infused the charcater with an a cynical, yet easy-going charm. His Doctor was a man of action, technology and paternal compassion. With a keen eye on his fan’s expections, Garner passed on Nichols (which flopped with Jon Pertwee as the lead) to star on Doctor Who.

Susan Sullivan started her acting career playing opposite Dustin Hoffman in the Broadway play Jimmy Shine (where she beat out British ingénu Caroline John). She landed a contract with Universal Studios in 1969, guest-starring on several shows, which ultimately led to her work on Doctor Who. Susan looked up actual scientific terminology to prepare for her role, discovering that all the terms from the writers were made up.

J. D. Cannon is known for his role as a prisoner in the film Cool Hand Luke, and for his part as the witness who cleared Richard Kimble in The Fugitive. Unlike his famous character, Cannon did not enjoy his 18 months of military life. He added understated warmth beneath the Brigadier’s rough exterior.

Ricardo Montalbán was an in-demand Mexican actor. In addition to working in state, radio and television, he also co-founded the Screen Actors Guild Ethnic Minority Committee with actors Carmen Zapata, Henry Darrow and Roger Delgado. As an in-joke in the 1971 Doctor Who serial “Colony in Space”, the Brigadier saud the suspected sighting of the Master “was only the Mexican Ambassador”. Montalbán brought 30 years of versatility and range to the role. His performance is gleefully sadistic, brilliant, suave and dashing–in an evil way.

Production

Garner’s suave portrayal of the Doctor is stark contrast to his predecessors. For production reasons (added expense from being produced in color), the Doctor is stranded on Earth and working for UNIT. These adventures are often classified as the spy-fi genre.

The Doctor’s most memorable foes debuted in this era: Autons, Omega, Sontarans, Silurians, and Sea Devils. His most formitable enemy was the Master, a fellow Gallifreyan out to destroy Earth. Even with the universe on the line, they treated their conflict as a friendly rivalry…a battle of wits among equals. Since they were once friends, the Doctor was determined to rehabilitate him.

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Essay

On the Road to New Who’s Tenth Anniversary: Show Runner Extraordinaire, Russell T. Davies

Stephen Russell Davies was born the same year as Doctor Who—1963. His family had no idea that their son would become one of the most influential writers/producers of British television. Under the pen name Russell T. Davies, Stephen resurrected Doctor Who after a 16-year hiatus of the BBC run series and a failed attempt at a back-door pilot telemovie. A collaboration of the BBC and FOX, the 1996 movie was a ratings success in the UK but not America. It had been intended to kick-off an American-produced Who series, which was not commissioned. Who was waiting for Davies.

As a young adult, Davies had wanted to become a comic book artist. His color-blindness forced him to study English literature, which led to screen and playwriting. In 1985 Davies began working for BBC’s Children’s department. His work on Dark Season and Century Falls was highly successful. In l994 he began writing for adults, which ultimately led to his stint as show runner for the new Doctor Who. A fan since childhood, Davies had been lobbying for Doctor Who‘s return since the late 90s. His ideas (doubling the episode length, paring back the mythology of Gallifrey and the Time Lords, increasing the production values) were accepted. During Davies’ reign, the longer episodes were welcomed. The reduced Time Lord mythology led to plot holes, which continue to cause confusion for the fandom.

Davies writes openly about sexual orientation and continues to develop sexually diverse characters. The pansexual Captain Jack Harkness is one example. Doctor Who and Torchwood have same-sex couples. (Davies created Queer as Folk before Doctor Who, and gay lifestyle shows Cucumber, Banana, and Tofu after.) John Barrowman, the actor who portrayed Captain Jack, said that Davies “changed the face of television in the U.K.” Barrowman added, “He has taken subject matter that nobody else will touch, and he has put in characters that nobody else will bother doing.”

Davies was approached about becoming involved in a tenth anniversary celebration for new Who:

“Someone from the [BBC’s] branding team sent me a very lovely email saying do you want to do something. I don’t know what they imagined…a talk or a convention, perhaps. I just said no, to be honest. A program can’t have its fiftieth and then its tenth anniversary. I think that’s just confusing. It’s marvelous and glorious; let it carry on.”

According to Davies, current show runner Steven Moffat asks him to write an episode every year. Davies response: “I love Doctor Who with all my heart but nothing is more important to me than my own stuff.”

Cucumber, Banana, and Tofu seem to have Davies full creative attention. Ironically, Davies was quick to confirm interest in writing a Doctor Who movie if approached: “If we could get the lawyers and contracts flying now. You know I would do that because I think there’s a big leap to be made.”

Davies’ imprint on the cult-status Doctor Who continues. Moffat said Davies had a theory for Peter Capaldi, who appeared in Davies’ “The Fires of Pompeii” and in an episode of Torchwood. Davies phoned Moffat to applaud the casting of Capaldi as the twelfth Doctor. Moffat asked: “Okay, what was your theory, and does it still work?” Davies’ reply was, “Yes it does. Here it is…

Moffat (who often lies) says that he will use Davies’ original plan for Capaldi, and will “play that one out over time. It’s actually quite neat.” However, in Radio Times Davies said: “I know Peter Capaldi. He did a Doctor Who with us and he did a brilliant Torchwood and when they cast him I was just envious. I just thought: so brilliant. Why didn’t I think of that? Brilliant.” Does that contradict Moffat’s assertion that there was secret plan?

Davies continues to be touted as the savior for Doctor Who. One aspect of his legacy seems certain: “It’s now impossible for it to ever be axed,” he told Radio Times. “It’s certainly heading that way. Could you imagine if it was axed now? There would be uproar in the streets. Twitter would be set on fire.”

You can take the man out of Doctor Who, but apparently cannot take Doctor Who out of the man. If the BBC’s offer is right, we may see Russell T. Davies pen a script for the Doctor again.

Who Fact: Stephen Fry wrote a Doctor Who script. It was inspired by the story of Sir Gaiwan and the Green Knight, a traditional Celtic medieval poem. Davies thought it too complicated and requested revision. Fry never had time to do so.

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Fan Fiction

Second American Doctor: Leslie Nielsen

1966-1969. Honorable mentions: Red Buttons, Leonard Stone, Peter Graves and Martin Landau

Supporting Cast
Ben Jackson: Stephen Brooks
Polly Wright: Stefanie Powers

Leslie Nielsen wrapped up two films in 1966 (The Plainsman, Beau Geste) just before auditioning for Doctor Who. Being cast as a tough guy for most of his Hollywood career, he relished the chance to utilize his comedy skills as the second Doctor.

Stefanie Powers thankfully chose Doctor Who over a role in The Girl from U.N.C.L.E., which turned out to be a 1-season flop. They wanted a “demure, passive figure” instead of an action heroine like Emma Peel. Luckily for generations of Who fans, Powers found the role of Polly Wright a lot more interesting.

Stephen Brooks earned respect as a character actor in Route 66, The Doctors and the Nurses, 12 O’Clock High and The F.B.I. (a show he abruptly left after auditioning for Doctor Who). His audition went so well, he unknowingly beat out a young Michael Craze).

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External Content

The Second Doctor: “It’s a fact. I do get involved.”

Peter (ThisThus) on “The War Games“, Patrick Troughton’s final Doctor Who serial:

“What struck me upon was the sadness at Jaime’s and Zoe’s leaving. [The Time Lords sent them back to their own times, erasing their memories beyond their first encounter with the Doctor.] But after the heartbreak of Donna forgetting her time with the Doctor, the loss that Jaime and Zoe will not know that they suffered struck me as particularly distressing. Especially as Troughton was generally a more concerned and caring Doctor than his previous incarnation.”

The author’s dead-on assessment of Troughton’s performance:

“Indeed, what I most like about Troughton’s Doctor is his expressiveness, the way his face displays joy and sorrow, sadness and ferocity, concern and anger. Where Hartnell was contained, Troughton is expansive.”

Hartnell’s last laugh in “The Three Doctors“.

“The War Games” photo colored by Tom Newsom

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Fan Fiction

First American Doctor: Ray Walston

1963-1966. Honorable mentions: Ossie Davis, Buddy Ebsen, Fred MacMurray, Don Ameche, Phil Silvers and Jonathan Harris

Supporting Cast
Susan Foreman: Patty Duke
Ian Chesterton: Chad Everett
Barbara Wright: Diane Brewster

Ray Walston was best known for his role as the title character of Doctor Who. His 15 years of stage, film and television fueled his performance as the “tough yet sympathetic” Doctor. Walston enjoyed the audition so much that he turned down My Favorite Martian (with floundered with replacement William Hartnell) that very afternoon!

Patty Duke first became famous as a child star, winning an Academy Award for Best Supporting Actress at age 16 for her role in The Miracle Worker. Perhaps her rough upbringing (alcoholic father and violent bipolar mother) was the foundation for Duke’s inquisitive performance as Susan Foreman. At 16, she was the youngest person at that time to win an Academy Award. Under the advice of her legal guardians, Duke turned down a show Sidney Sheldon created especially for her (which begain their lifelong animosity).

Chad Everett first became notable in Surfside 6 and The Dakotas. His big break was playing Dr. Joe Gannon on Medical Center, where he honed his unique combination of intelligence and toughness. His performance as the no-nonsense school teacher (which reminded this reviewer of a young William Russell in The Great Escape) was a perfect counter balance to the Doctor’s aloof persona.

Diane Brewster was most noted for playing the confidence trickster Samantha Crawford in Maverick. But her performance as elementary school teacher Miss Canfield in Leave It to Beaver made producers realize she was perfect to play Barbara Wright.

Ossie Davis is the Doctor

photo: Ossie Davis as the Doctor

Producers wanted for the Doctor to be played by Ossie Davis, an African American actor. In 1963, they felt that would be consistent with NET documentaries about poverty and racism. Co-creator Leslie Stevens was a huge fan of EC Comics Bill Gaines for standing up to the Comics Code in 1954 (The Code objected to the hero in “Judgment Day!” being black.) Davis thought the role fit with his social activism, auditioned well and was ready to leave Car 54, Where Are You?. However, Southern and conservative affiliates objected to what they saw as Northeast liberal bias. Producers relented, eventually casting Ray Walston.

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