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Essay

On the Road to New Who’s Tenth Anniversary: Show Runner Extraordinaire, Russell T. Davies

Stephen Russell Davies was born the same year as Doctor Who—1963. His family had no idea that their son would become one of the most influential writers/producers of British television. Under the pen name Russell T. Davies, Stephen resurrected Doctor Who after a 16-year hiatus of the BBC run series and a failed attempt at a back-door pilot telemovie. A collaboration of the BBC and FOX, the 1996 movie was a ratings success in the UK but not America. It had been intended to kick-off an American-produced Who series, which was not commissioned. Who was waiting for Davies.

As a young adult, Davies had wanted to become a comic book artist. His color-blindness forced him to study English literature, which led to screen and playwriting. In 1985 Davies began working for BBC’s Children’s department. His work on Dark Season and Century Falls was highly successful. In l994 he began writing for adults, which ultimately led to his stint as show runner for the new Doctor Who. A fan since childhood, Davies had been lobbying for Doctor Who‘s return since the late 90s. His ideas (doubling the episode length, paring back the mythology of Gallifrey and the Time Lords, increasing the production values) were accepted. During Davies’ reign, the longer episodes were welcomed. The reduced Time Lord mythology led to plot holes, which continue to cause confusion for the fandom.

Davies writes openly about sexual orientation and continues to develop sexually diverse characters. The pansexual Captain Jack Harkness is one example. Doctor Who and Torchwood have same-sex couples. (Davies created Queer as Folk before Doctor Who, and gay lifestyle shows Cucumber, Banana, and Tofu after.) John Barrowman, the actor who portrayed Captain Jack, said that Davies “changed the face of television in the U.K.” Barrowman added, “He has taken subject matter that nobody else will touch, and he has put in characters that nobody else will bother doing.”

Davies was approached about becoming involved in a tenth anniversary celebration for new Who:

“Someone from the [BBC’s] branding team sent me a very lovely email saying do you want to do something. I don’t know what they imagined…a talk or a convention, perhaps. I just said no, to be honest. A program can’t have its fiftieth and then its tenth anniversary. I think that’s just confusing. It’s marvelous and glorious; let it carry on.”

According to Davies, current show runner Steven Moffat asks him to write an episode every year. Davies response: “I love Doctor Who with all my heart but nothing is more important to me than my own stuff.”

Cucumber, Banana, and Tofu seem to have Davies full creative attention. Ironically, Davies was quick to confirm interest in writing a Doctor Who movie if approached: “If we could get the lawyers and contracts flying now. You know I would do that because I think there’s a big leap to be made.”

Davies’ imprint on the cult-status Doctor Who continues. Moffat said Davies had a theory for Peter Capaldi, who appeared in Davies’ “The Fires of Pompeii” and in an episode of Torchwood. Davies phoned Moffat to applaud the casting of Capaldi as the twelfth Doctor. Moffat asked: “Okay, what was your theory, and does it still work?” Davies’ reply was, “Yes it does. Here it is…

Moffat (who often lies) says that he will use Davies’ original plan for Capaldi, and will “play that one out over time. It’s actually quite neat.” However, in Radio Times Davies said: “I know Peter Capaldi. He did a Doctor Who with us and he did a brilliant Torchwood and when they cast him I was just envious. I just thought: so brilliant. Why didn’t I think of that? Brilliant.” Does that contradict Moffat’s assertion that there was secret plan?

Davies continues to be touted as the savior for Doctor Who. One aspect of his legacy seems certain: “It’s now impossible for it to ever be axed,” he told Radio Times. “It’s certainly heading that way. Could you imagine if it was axed now? There would be uproar in the streets. Twitter would be set on fire.”

You can take the man out of Doctor Who, but apparently cannot take Doctor Who out of the man. If the BBC’s offer is right, we may see Russell T. Davies pen a script for the Doctor again.

Who Fact: Stephen Fry wrote a Doctor Who script. It was inspired by the story of Sir Gaiwan and the Green Knight, a traditional Celtic medieval poem. Davies thought it too complicated and requested revision. Fry never had time to do so.

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Essay

On the Road to New Who’s Tenth Anniversary

The first episode of Classic Doctor Who aired in 1963, then saw two plus decades of air time ending in 1989. After a failed attempt to bring the series back in 1996 with a television movie, the BBC rebooted the program with Russell T. Davies at the helm as showrunner and head writer on March 26, 2005. In millions of homes, Billie Piper (alongside Christopher Eccleston as the 9th Doctor) burst onto the screen in “Rose” as the Doctor’s new companion. The show is ingrained in British culture and has become a world-wide phenomenon and a cult favorite. Recently, Russell T. Davies said “It’s now impossible for it to ever be axed. It’s certainly heading that way. Could you imagine if it was axed now? There would be uproar in the streets. Twitter would be set on fire.”

Indeed, the recently completed Series 8 with Peter Capaldi debuting as the 12th Doctor, was viewed by 30% more Americans than the previous series (Moffat, November, 2014). The term “Whovian” may be on its way into Webster’s and the words Time and Relative Dimension in Space are synonymous with a time-traveling vehicle. I cannot help but wonder what H.G. Wells would have to say. Or, perhaps he has been feeding Who writers. After all we saw a similar feat occur in “Blink” (Series 3, Episode 10).

As the tenth anniversary for New Who nears, there has been ongoing speculation as to whether there will be a celebration. Radio Times reported that Russell T. Davies was approached by the BBC to participate in the tenth anniversary. Davies’ answer was a resounding no. Currently, Davies keeps very busy with his new venture, Cucumber, Tofu, and Banana, a serialized drama examining gay life in Britain. While his focus and commitment to his new project is understandable, the fandom certainly loses.

Davies’ contention is that Doctor Who recently celebrated its 50th anniversary and a tenth anniversary the following year is confusing. On November 23, 2013, BBC aired “The Day of the Doctor” to mark the 50th. A New Who tenth anniversary special would air a mere 16 months later. However, with the first episode of Series 9 another 8 months away, many Whovians would welcome the oasis of a celebration amidst the desert of empty months after “Last Christmas“, which aired on December 25, 2014. When Steven Moffat, Who’s current showrunner and head writer, was asked in August of 2014 about a tenth anniversary special, he indicated that a special would not occur, “unless” he said, “I’m lying.” Ironically lying has been a theme in Moffat’s Series 8.

So what’s a Whovian to do as the March New Who tenth anniversary approaches and thirst for the Doctor increases? The Doctor Who Hub on facebook is hosting “Rose” Day. Many may choose to join this event and watch Series 1, Episode 1 “Rose” in celebration. Others may host house parties offering Who episodes for viewing, and yet others may find Who-related events at nearby pubs. How do you plan on celebrating New Who’s tenth?

Who Fact: Russell T. Davies and David Tennant chose to leave Doctor Who at the same time (2009). When Davies was asked if he would write an episode for Tennant’s successor, Matt Smith, his reply was: “Absolutely none. I wouldn’t want to write a single word for him. When he appears, every word will be written by Steven Moffat. He’s Steven’s, and Matt’s, character.” (Undated interview with Russell Davies and David Tennant on david-tennant.com)

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Essay

Flatline

The Gabby Gallifreyan was in full swing last week

The actual speech poor Peter Capaldi had to deliver while chasing the evil aliens away:

I tried to talk. I want you to remember that. I tried to reach out. I tried to understand you. But I think you understand us perfectly. And I think that you just don’t care. And I don’t know if you’re here to invade, infiltrate or just replace us. I don’t suppose it really matters now. You are monsters! That is the role you seem determined to play. So it seems that I must play mine! The man that stops the monsters. I’m sending you back to your own dimension. Who knows? Some of you may even survive the trip. And if you do, remember this: you are not welcome here. This plane is protected. I am the Doctor. And I name you…the boneless!

This is only the latest example of Moffat never writing a speech he didn’t like.

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Essay

Into the Dalek: Spaceman Don’t Play That

A lot of bloggers liked this moment of “Into the Dalek”. Who Say described Clara’s slapping the Doctor “put this new, colder Doctor in his place”. Tech Times said it “Bravo for smacking some sense back into the Doctor right when he needed it.” The AV Club said “literally slaps sense into the Doctor”.

I completely disagree. There was nothing in the Doctor’s behavior to suggest he enjoyed being right more than he wanted to live. Clara’s actions makes her the worst possible companion to have in a crisis. Because the script was written Steven Moffat (with Phil Ford), her actions implausibly work. This is a lame attempt to make an underwritten female character “strong” by making her mean. Throughout Season 8, their relationship seems more like an Eric Stanton fantasy fantasy.

My Doctor’s reaction is closer to the “rebel Time Lord” they talked about in the Doctor Who World Tour.

Longtime fans will spot my influences. “Clara Oswald never existed” came from the Season 8 finale “Death in Heaven“. During the world tour, Peter Capaldi described his portrayal as a “rebel Time Lord”. “That’s the kind of Time Lord I am” is from David Tennant’s first episode “The Christmas Invasion“.

Materials used for this story
12″ x 18″ live area on Strathmore 500 bristol paper
Blick Black Cat india ink
Speedball nib #512 (phase one inking, outlines)
Short-handle round #4 sable brush (phase two inking)
Ruling pen (borders)
Speedball B6 and B5 (lettering)
Ames Lettering Guide (4.0 even-spaced calibration)
Adobe Photoshop (production, Duo-Shade gray tones)

Inked with the pen first, brush second technique perfected by Alex Toth, Steve Ditko and Joe Maneely. Gray tones applied with an Duo-Shade emulation technique, in an attempt to make this look like a Warren publication.

— Dave M!, making a right with two wrongs.